{"version":"1.0","provider_name":"\uae4c\uc774\uc5d0 \ub4dc \uc11c\uc6b8","provider_url":"https:\/\/cahierdeseoul.com\/ko\/","author_name":"Jean-nicolas Lechat","author_url":"https:\/\/cahierdeseoul.com\/ko\/author\/jean-nico\/","title":"\uac70\ub9ac\uc758 \ubd88\ube5b, \ub514\uc790\uc774\ub108 \uc774\uc885\uc624 - Cahier de Seoul","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RO72FikBiL\"><a href=\"https:\/\/cahierdeseoul.com\/ko\/jongoh-lee\/\">\uac70\ub9ac\uc758 \ubd88\ube5b, \ub514\uc790\uc774\ub108 \uc774\uc885\uc624<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cahierdeseoul.com\/ko\/jongoh-lee\/embed\/#?secret=RO72FikBiL\" width=\"600\" height=\"338\" title=\"&#8220;\uac70\ub9ac\uc758 \ubd88\ube5b, \ub514\uc790\uc774\ub108 \uc774\uc885\uc624&#8221; &#8212; \uae4c\uc774\uc5d0 \ub4dc \uc11c\uc6b8\" data-secret=\"RO72FikBiL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cahierdeseoul.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cdn.cahierdeseoul.com\/2012\/04\/leej1.jpg","thumbnail_width":550,"thumbnail_height":360,"description":"Objet fonctionnaliste, salutaire la nuit, le lampadaire a cette f\u00e2cheuse particularit\u00e9 de devenir encombrant le jour. Le designer cor\u00e9en Jongoh Lee r\u00e9sout le probl\u00e8me en proposant un design au forme v\u00e9g\u00e9tal appel\u00e9 &#8220;Invisible streetlight&#8221;. Jongoh Lee prolonge l&#8217;analogie en \u00e9quipant les lampadaires d&#8217;un systeme d&#8217;energie solaire &#8211; s&#8217;inspirant du processus de photosynth\u00e8se des plantes &#8211; [&hellip;]"}