{"version":"1.0","provider_name":"\uae4c\uc774\uc5d0 \ub4dc \uc11c\uc6b8","provider_url":"https:\/\/cahierdeseoul.com\/ko\/","author_name":"Jean-nicolas Lechat","author_url":"https:\/\/cahierdeseoul.com\/ko\/author\/jean-nico\/","title":"Les ruines de l\u2019utopie par l'artiste Lee Bul - Cahier de Seoul","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Dho70pveW7\"><a href=\"https:\/\/cahierdeseoul.com\/ko\/lee-bul\/\">\uc720\ud1a0\ud53c\uc544\uc758 \uc794\ud574 Lee Bul<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cahierdeseoul.com\/ko\/lee-bul\/embed\/#?secret=Dho70pveW7\" width=\"600\" height=\"338\" title=\"&#8220;\uc720\ud1a0\ud53c\uc544\uc758 \uc794\ud574 Lee Bul&#8221; &#8212; \uae4c\uc774\uc5d0 \ub4dc \uc11c\uc6b8\" data-secret=\"Dho70pveW7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cahierdeseoul.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cdn.cahierdeseoul.com\/2013\/03\/invisibielcitiesDAHBoesky.jpg","thumbnail_width":700,"thumbnail_height":503,"description":"N\u00e9e en 1964 en Cor\u00e9e du Sud, Lee Bul est l\u2019une des artistes cor\u00e9ennes majeures de sa g\u00e9n\u00e9ration. Dipl\u00f4m\u00e9e de l\u2019universit\u00e9 Hongik \u00e0 S\u00e9oul en 1987, elle se fait d\u2019abord conna\u00eetre en se mettant en sc\u00e8ne dans une s\u00e9rie de performances publiques ou elle aborde des questions \u00e9pineuses (pour la Cor\u00e9e de l\u2019\u00e9poque) telles que le sexe et la sexualit\u00e9 dans la soci\u00e9t\u00e9 patriarcale cor\u00e9enne"}